Archive | Concert reviews 2015 RSS feed for this section

My Emmylou Harris concert review posted to Elmore

3 Jun

Elmore Magazine | Emmylou Harris and Rodney Crowell At The KerrvFans braved record-breaking rains to see Emmylou Harris and Rodney Crowell inside the lobby of the YO Ranch Hotel & Conference Center. The duo had moved indoors and to higher ground after Turtle Creek broke its banks earlier in the evening, threatening Kerrville Folk Festival’s outdoor theater.

The legendary singer/songwriters performed inside the historic hotel’s cowboy-themed lobby in front of a cozy limestone fireplace framed by two 10-foot wrought iron candelabras and five hanging chandeliers crafted from authentic cattle brands.

The duo sang songs from their 2013 Yellow Moon album and recent CD, The Travelin’ Kind. “La Danse de la Joie,” written by Harris, Crowell and Will Jennings, added a playful Cajun and upbeat zydeco sound to the evening.

The two, friends for 40 years, sat in repurposed dining room chairs, amid mounted exotic wild animal heads on the walls and an impromptu audience of rain-soaked fans, mostly 55 and older.

Harris sang a beautiful interpretation of “Love Hurts,” a huge hit for the Everly Brothers in 1960. Harris and Crowell together sang the night’s highlight, “Leaving Louisiana in the Broad Daylight,” from her 1978 Quarter Moon in a Ten-Cent Town album. Never did a bad storm feel so right.

This slideshow requires JavaScript.

 

Please also see my article posted on Elmore magazine’s website at: http://www.elmoremagazine.com/2015/06/reviews/shows/emmylou-harris-and-rodney-crowell-at-the-kerrville-folk-festival

Doobie Brothers shine on Austin in my Elmore review

18 May

This slideshow requires JavaScript.

Bewitched Baby Boomer fans danced and sang along with the hit songs of the Doobie Brothers, former Eagles’ lead guitarist Don Felder and up-and-coming 19-year-old Illinois native Matthew Curry at Austin City Limit’s Moody Theater.

For “Those Shoes,” Felder used a 1970s style talk box and then dedicated “Witchy Woman” to his female audience. His band cast a spell with “Seven Bridges Road,” including: bassist Wade Biery, drummer Randy Cook, keyboardist Timothy Drury, and additional guitarist Greg Suran.

True to their hippie rock genre since 1969, the Doobie Brothers founding front men guitarists and singers Tom Johnston and Pat Simmons opened with their hit, “Jesus is Just Alright.”

Simmons sang his 1975 number one hit, “Black Water,” before fans broke into hysteria with “Long Train Running.” The band included multi-instrumentalist John McFee on guitar, pedal steel, fiddle, harmonica and vocals; Guy Allison on keyboards and vocals; John Cowan on bass and vocals; Marc Russo on saxophones, and both Tony Pia and Ed Toth on drums.

An encore of “China Grove,” led to a guitar orgy with solos by Simmons, Johnston, McFee, Curry and surprise guest Ray Benson, frontman for Asleep at the Wheel. Their instrumental blues rock medley ended Monday night’s fandango beneath a Texas half moon that seemingly shined nostalgia.

Please follow this link to read my review and see my photos posted on Elmore magazine’s website at:

http://www.elmoremagazine.com/2015/05/reviews/shows/the-doobie-brothers-feat-don-felder-and-matthew-curry

My review of the Bruce and Kelly Show posted to Elmore magazine

11 May

Elmore Magazine | Bruce Robison & Kelly WillisBruce Robison and Kelly Willis sang nostalgically from their combined hit song catalogs at what seemed more like a backyard neighborhood barbecue than a music festival on April 18.

Rainstorms abated in the early afternoon during the Old Settlers’ Music Festival in Driftwood on a grassy hillside in front of the Bluebonnet Stage, as festival goers sipped locally brewed beer and ate barbecue prepared by the famous Salt Lick restaurant.

The couple’s harmonies on “This Will Be Our Year,” just like the sunshine, briefly removed a lingering misty chill in the air. The crowd politely hushed, leaving an eerie silence that was broken only by birds calling from nearby 100-year-old oak trees when Robison sang his 1996 original song, “Travelin’ Soldier.” The tragic teenage romance tale topped charts in 2003 when the Dixie Chicks released it as a single off their Home album. Willis seduced the crowd further by singing Robison’s “Not Forgotten You,” off her 1999 album What I Deserve.

Their Cactus Cowboys band included Geoff Queen on pedal steel and electric guitar, John “Lunchmeat” Ludwick on upright bass and Joey Shuffield on drums. The Robison-Willis married duo, together with their musicians, gave a memorable performance in an outdoor space where time seemed to slowly drift by like the breeze.

This slideshow requires JavaScript.

Also please see my article and photos of Bruce and Kelly posted on Elmore magazine’s website at:

http://www.elmoremagazine.com/2015/05/reviews/shows/bruce-robison-kelly-willis

 

My review of Freda and the Firedogs posted to Elmore magazine

21 Apr

 

Elmore Magazine | Freda and the FiredogsRegaling in glory days as hippies performing classic country music, Freda and the Firedogs also memorialized an old friend at the Broken Spoke in Austin March 22.

The show culminated two sold-out reunion shows that began the night before at The Paramount Theatre.

   U.S. Rep. Lloyd Doggett emceed the Broken Spoke reunion concert that also paid tribute to San Antonio’s legendary guitarist Doug Sahm who died in 1999.

Attendees included some of Austin’s biggest movers and shakers in the music community including Waterloo Records president John Kunz and his wife, Cathy.

More than 36 years have passed since five members of Freda and the Firedogs played together on stage. They last reunited for a single performance at the Old Soap Creek Saloon in Austin in January of 1979. They performed their final concert as a band at Willie Nelson’s Fourth of July Picnic in College Station at the Texas World Speedway on July 5, 1974.

Original band members included: piano player and vocalist Marcia Ball, bass player and singer/song writer Bobby Earl Smith, guitarist John X. Reed, drummer Steve McDaniels, and steel and accordion player David Cook.

Broken Spoke founder James White also took the stage with them to sing a Buck Owens’ version of the 1955 song, “Rollin in My Sweet Baby’s Arms,” by Lester Flatt, Earl Scruggs, and the Foggy Mountain Boys.

Freda and the Firedogs performed two lively sets of fan favorites including: Merle Haggard’s 1966 “Swinging Doors,” and Rubye Blevin’s (aka: Patsy Montana’s) 1935 hit, “I Want To Be a Cowboy Sweetheart.” They also played two originals “Muleshoe” and “Dry Creek Inn,” that Smith wrote.

They played covers by George Jones and Ball sang a lot of Tammy Wynett and Loretta Lynn as well as the 1966 hit, “Don’t Come Home A Drinkin’ with Lovin’ on Your Mind.”

In 1972 Ball traveled from her hometown of Baton Rouge on her way to San Francisco when her car broke down in Austin; afterwards she never left. Soon she met bassist Smith and together they founded their band.

During the early 1970s, Freda and the Firedogs helped to bridge the cultural gap that once divided the long hairs from the traditional country music fans throughout Texas. The band often opened shows and performed with Sahm at the formerly famous Armadillo World Headquarters.

About that time, Doggett began his political campaign for state senator and he asked Freda and the Firedogs to perform at his first fundraiser held at the Broken Spoke on July 9, 1973.

This slideshow requires JavaScript.

Here’s the link to my story and photos posted on Elmore magazine’s website:

http://www.elmoremagazine.com/2015/04/reviews/shows/freda-and-the-firedogs

My review and photos of Willie Nelson posted to Elmore magazine

27 Mar

 

This slideshow requires JavaScript.

Willie Nelson and his family shared the best of his golden oldies inside Travis County arena to a sold out crowd opening night of the 2015 Austin Rodeo March 14.

For a solid hour Willie proved 80-years young and sang several medleys created from hits off his 68 studio, ten live, 37 compilation, and 27 collaboration albums including “Mammas Don’t Let Your Babies Grow Up to be Cowboys.”

As always, his sister Bobbie Nelson played piano, joined by two of Willie’s kids, Lukas Nelson and Amy Nelson; two grandchildren, Zach Thomas and Rebecca Thomas, and Waylon Payne, the son of the late Sammi Smith. On stage together they sang a medley of hymns like “Will the Circle Be Unbroken?” and “I’ll Fly Away.”

Band members included harmonica player Mickey Raphael together, drummer Billy English and upright bassist Kevin Smith.

Lukas Nelson provided the night’s biggest surprise with a rhythm and blues solo on “It’s Floodin’ Down in Texas.” Like father, like son, Lukas added his own improvised and distinctive guitar leads and vocals to the song that once served as part of the repertoire of the late Stevie Ray Vaughan.

Playing Trigger, his ever-faithful acoustic guitar, Willie performed “Roll Me Up and Smoke Me When I Die,” the hit off his 2012 Heroes album.

As the evening ended, the legacy of songs, like gifts delivered by three generations of the Nelson family, resonated long after the dust cleared.

Please see my review and photos posted to Elmore magazine’s website by following this link:

http://www.elmoremagazine.com/2015/03/reviews/shows/willie-nelson

Elmore Magazine | Willie Nelson

My review of Texas Guitar Women posts to Elmore magazine

11 Mar

Elmore Magazine | Texas Guitar WomenIt felt like a hen party with chick pickers at Austin’s One2One Bar Feb. 19 as friends of five-time Grammy award winning steel guitar player Cindy Cashdollar sent her off in style to her hometown of Woodstock, NY. Grand dames Marcia Ball and Rosie Flores formed a sisterhood for one night with the Texas Guitar Women, including Cashdollar, Shelley King, Carolyn Wonderland, Sarah Brown, and Lisa Pankratz.

Fans crowded the length of the bar’s platform stage inside the strip shopping center with little wing room to hear the girls’ stories, songs and tequila toasts.

Flores, eternally youthful with a shock of black hair, stole the show with her playful romp, “Run Chicken Run.”

Ball rocked the house as she wailed out her repertoire of original songs and played keyboards with a Jerry Lee Lewis-like frenzy.

Guitar goddess, Wonderland, sang a series of Janis Joplin-like bluesy rock ballads while fanning her flaming long auburn red hair.

King grooved out on the title track from her Building a Fire CD, released last August on the Lemonade Records label.

Brown also delighted fans with a vocal performance reminiscent of her 1996 Sayin’ What I’m Thinkin’ solo CD as she completed the rhythm section with Pankratz on drums.

Please follow this link to see my review posted on Elmore magazine’s website: http://www.elmoremagazine.com/2015/03/reviews/shows/texas-guitar-women

This slideshow requires JavaScript.

Shakey Graves review and photos posted to Elmore, video uploaded to Youtube

10 Mar

Elmore Magazine | Shakey GravesFrighteningly original Shakey Graves shook the rafters at Gruene Hall, the 6000-square foot historic Central Texas dancehall just outside New Braunfels Feb. 20.

Graves, (born Alejandro Rose-Garcia,) performed his hauntingly sweet mix of gritty and melodic vocals for a standing room only crowd. Throughout the sold out show, Graves changed tempo with tantalizing tunes not classified singularly as either country, blues, or folk and brought his audience participation to new levels.

Playing his hollow body acoustic guitar and homemade kick drum made from a Samsonite suitcase, Graves alternated between performing solo and delivering a big sound together with upright bass player Macon Terry and drummer Chris “Boo” Booshada. Millennials who had gathered nearly two hours beforehand to drink Shiner Bock beer from longneck bottles stood, stomped, clapped and chanted choruses on song favorites such as “The Perfect Parts” within a handshake of Graves.

Dressed in his suit, tie and Bob Wills-style hat, Graves granted an encore soaked through with perspiration as temperatures, spooky in February even for Central Texas, hovered at an uncharacteristically balmy 75 degrees. That’s when a female fan, identified only as Nicole, took the stage to harmonize on “Dearly Departed,” the song he previously recorded with Colorado native singer Esme Patterson for his And the War Came On album released last October on Dualtone Records.

This slideshow requires JavaScript.

Please see the posted story on Elmore magazine’s website at: http://www.elmoremagazine.com/2015/03/reviews/shows/shakey-graves

 

%d bloggers like this: