Archive | Elmore magazine 2015 RSS feed for this section

My Mike & the Moonpies review posts to Elmore magazine

22 Nov

Elmore Magazine | Mike and the MoonpiesIt’s no coincidence that the original tunes on Mike and the Moonpies’ third studio album, Mockingbird, sound so familiar. Frontman Mike Harmeier, who learned to play guitar at six, and has performed in front of live audiences since he turned 10, wrote all ten of the hardcore country songs to resemble those popular in the 1980s and 1990s.

“One Is The Whiskey” feels like a tribute to the years Harmeier has spent in bars listening to jukebox hits by Randy Travis, George Straight and Clint Black. On the title track, Harmeier pays homage to his late grandfather, with lyrics that deserve one more round of alcohol and a toast to faded old hand-me-downs. One song, “Never Leaving Texas” (though it’s contradicted by the band’s current touring schedule of Oklahoma, Arkansas, California, Arizona and New Mexico), pays homage to the band’s Texas legacy. The Moonpies, including Kyle Ponder on drums/percussion, Preston Rhone on bass, Catlin Rutherford on guitar, Zachary Moulton on steel guitar and John Carbone on piano/organ, have been fronted by Harmeier for 20 years now, and they’ve consistently drawn, and continue to draw, diverse young crowds to some of Austin’s favorite venues like the White Horse, the Continental Club and the Broken Spoke.

My review of Carrie Underwood’s new CD posts to Elmore magazine

19 Nov

Elmore Magazine | Carrie Underwood

Carrie Underwood spins tall and unexpected tales with her new Storyteller album. Over the last decade, the 2005 American Idol winner has married a professional athlete, given birth and won multiple awards at the Grammys, from Billboard and at the Country Music Awards. Still, her original, “What I Never Knew I Always Wanted,” hints at the humble woman inside the star image– just a girl from Muskogee, Oklahoma with traditional values and a new mother’s love. She wrote five other songs for the 13-track CD, including “Renegade Runaway,” “Heartbeat,” “Smoke Break,” “Chaser” and “The Girl You Think I Am.” Underwood’s vocals have matured in the three years since she released Blown Away.

This fifth studio album also features seven songs written by other composers. Jason White wrote the “Choctaw County Affair,” a song reminiscent of Bobbie Gentry’s 1967’s “Ode to Billy Joe.” “Dirty Laundry,” written by Zach Crowell/Ashley Gorley/Hillary Lindsey shows the most hit potential if released as a single today. Fans will love singing along on its refrain: “All the Ajax in the world ain’t gonna clean your dirty laundry.” Meanwhile, like her previous four albums, lyrically Underwood’s songs continue to please. Clearly nobody has any plans of hanging this country girl out to dry.

Please click on the link to read my story on Elmore magazine’s website here: http://www.elmoremagazine.com/2015/11/reviews/albums/carrie-underwood

My Fairground Saints CD review posts to Elmore magazine

7 Nov

DElmore Magazine | Fairground Saintson’t judge this CD by its almost indistinguishable cover photo on the Fairground Saints’ self-titled debut. The album’s fuzzy image of three silhouettes against a dusty sunset clearly contradicts the Los Angeles trio’s music, which they composed with lyrical clarity, bright vocals and textured musicianship. The Fairground Saints’ original sound, ranging from acoustic folk to pop and rock genres, defines longing, disillusion and joy in 12 tunes embellished with impressive three-part harmonies.
Michigan native and standout lead vocalist Megan McAllister demonstrates her unique phrasing in jazz rhythms reminiscent of Sara Bareilles on the songs, “Until Then” and “Somethin’ for Nothin’.”

All three musicians, including Mason Van Valin, Elijah Edwards and McAllister, contributed to the songwriting and also share vocals and guitar tracks. Multi-instrumentalist Edwards plays mandolin, keyboards, Dobro and accordion. “I Wish I Was,” a song co-written by Van Valin and Edwards with Hannah Mulholland, Matthew Wilder and Tamara Dunn reveals the group’s astonishing insecurity despite its signature good looks and raw talent. Their most memorable R&B-flavored “All of You,” attempts the chord progression to Aaron Neville’s 1966 ballad “Tell It Like It Is” in reverse—a lofty feat that surpasses any fairground’s attraction.

– Donna Marie Miller

 

Elmore posts my Indigo Girls review of One Lost Day

25 Aug

Elmore Magazine | Indigo GirlsWith their 14th studio album, One Lost Day, the Indigo Girls’ signature harmonies haven’t aged a bit. Describing universal events like childbirth, addiction and the death of a parent on 13 new tunes, Amy Ray and Emily Saliers identify themselves as survivors. Over 35 years, they have created seven gold, four platinum, and one double platinum album, while singing their original stories set to folk/rock music filled with whimsy, rawness, sadness and joy.

Up-and-coming producer Jordan Brooke Hamlin and sound engineer Brian Joseph contribute on this new album. Drummer Brady Blade and pianist Carol Isaacs from the IG’s 2011 Beauty Queen Sister album have returned to the fold. Guest musicians Lex Price and Chris Donohue on bass, along with multi-instrumentalist and vocalist Butterfly Boucher, together with drummer Fred Eltringham, bring an infectious energy. “California is Your Girlfriend” and “Texas was Clean” sound reminiscent of the IG’s early roots music.

The album’s final track, “Come a Long Way,” poetically reveals the duo’s remarkable journey to mainstream acceptance since recording their first single in 1985 while attending Emory University. With ageless spirit, the Indigo Girls rekindle their passions once again.

Please see my review posted at Elmore Magazine at:

http://www.elmoremagazine.com/2015/08/reviews/albums/indigo-girls

 

My Eagles concert review posted to Elmore

3 Jun

Elmore Magazine | The EaglesFive of the original Eagles took musicianship to the limits at the Frank Erwin Center in Austin. Before a sold-out crowd, they performed hits from 12 albums and a career that spans four-plus decades. For over three hours (and two encores) Glenn Frey, Don Henley, Bernie Leadon, Timothy B. Schmit and Joe Walsh mesmerized their audience with nostalgic stories and songs synchronized to stunning videos of Southwest landscapes.

Selections from favorite albums, Desperado, Hotel California, and One of These Nights captivated Baby Boomers and Millennials alike, and introduced a new generation to the cross-genres from progressive country to rock. The six-time Grammy winners began their first set with early Eagles’ acoustic songs like “Peaceful Easy Feeling,” and “Tequila Sunrise” sitting on stage. After an intermission, band members stood and rocked the crowd to its feet. A boyish Walsh upstaged the show by inviting audience participation on “Life’s Been Good” and using a talk box to perform “Rocky Mountain Way.” With “Take It to the Limit,” Frey provided a moving tribute to guitarist Randy Meisner, absent from the two-year “History of the Eagles Tour” due to health issues. The final encore song, “Desperado,” closed the show on a magical note, with ethereal harmonies that will forever echo in the canyons of the mind.

This slideshow requires JavaScript.

Also please see my review on Elmore magazine’s website at: http://www.elmoremagazine.com/2015/06/reviews/shows/the-eagles

My Emmylou Harris concert review posted to Elmore

3 Jun

Elmore Magazine | Emmylou Harris and Rodney Crowell At The KerrvFans braved record-breaking rains to see Emmylou Harris and Rodney Crowell inside the lobby of the YO Ranch Hotel & Conference Center. The duo had moved indoors and to higher ground after Turtle Creek broke its banks earlier in the evening, threatening Kerrville Folk Festival’s outdoor theater.

The legendary singer/songwriters performed inside the historic hotel’s cowboy-themed lobby in front of a cozy limestone fireplace framed by two 10-foot wrought iron candelabras and five hanging chandeliers crafted from authentic cattle brands.

The duo sang songs from their 2013 Yellow Moon album and recent CD, The Travelin’ Kind. “La Danse de la Joie,” written by Harris, Crowell and Will Jennings, added a playful Cajun and upbeat zydeco sound to the evening.

The two, friends for 40 years, sat in repurposed dining room chairs, amid mounted exotic wild animal heads on the walls and an impromptu audience of rain-soaked fans, mostly 55 and older.

Harris sang a beautiful interpretation of “Love Hurts,” a huge hit for the Everly Brothers in 1960. Harris and Crowell together sang the night’s highlight, “Leaving Louisiana in the Broad Daylight,” from her 1978 Quarter Moon in a Ten-Cent Town album. Never did a bad storm feel so right.

This slideshow requires JavaScript.

 

Please also see my article posted on Elmore magazine’s website at: http://www.elmoremagazine.com/2015/06/reviews/shows/emmylou-harris-and-rodney-crowell-at-the-kerrville-folk-festival

Shania Twain DVD review posted to Elmore magazine

26 May

 

Elmore Magazine | Shania TwainThose who missed Shania Twain’s two-year residency at Caesar’s Palace in Las Vegas have another chance to catch the international superstar and five-time Grammy winner perform her spectacular show. On June 5 in Seattle, Twain launches her “Rock This Country” worldwide tour, but until then, fans can pick up Still the One: Live From Vegas and see her Vegas show from the comfort of home.

This DVD features the top-selling female country artist of all time performing her biggest hits with a 13-piece band and choreographed dancers. Twain makes dramatic onstage entrances while riding a flying motorcycle and then a white horse. She shares touching stories about growing up in Ontario, Canada before singing an a cappella version of “Carrie Anne.”

In an intimate moment, Twain invites her sister and a handful of audience members onstage while she sings her 1997 Top Ten country hit, “Come On Over,” followed by “Love Gets Me Every Time” and “Rock This Country!” A bonus feature, “Backstage Pass,” provides an hour of behind-the-scenes footage to create a one-of-a-kind audience experience.

Please see my review posted on Elmore magazine’s website: 

http://www.elmoremagazine.com/2015/05/reviews/albums/shania-twain

Doobie Brothers shine on Austin in my Elmore review

18 May

This slideshow requires JavaScript.

Bewitched Baby Boomer fans danced and sang along with the hit songs of the Doobie Brothers, former Eagles’ lead guitarist Don Felder and up-and-coming 19-year-old Illinois native Matthew Curry at Austin City Limit’s Moody Theater.

For “Those Shoes,” Felder used a 1970s style talk box and then dedicated “Witchy Woman” to his female audience. His band cast a spell with “Seven Bridges Road,” including: bassist Wade Biery, drummer Randy Cook, keyboardist Timothy Drury, and additional guitarist Greg Suran.

True to their hippie rock genre since 1969, the Doobie Brothers founding front men guitarists and singers Tom Johnston and Pat Simmons opened with their hit, “Jesus is Just Alright.”

Simmons sang his 1975 number one hit, “Black Water,” before fans broke into hysteria with “Long Train Running.” The band included multi-instrumentalist John McFee on guitar, pedal steel, fiddle, harmonica and vocals; Guy Allison on keyboards and vocals; John Cowan on bass and vocals; Marc Russo on saxophones, and both Tony Pia and Ed Toth on drums.

An encore of “China Grove,” led to a guitar orgy with solos by Simmons, Johnston, McFee, Curry and surprise guest Ray Benson, frontman for Asleep at the Wheel. Their instrumental blues rock medley ended Monday night’s fandango beneath a Texas half moon that seemingly shined nostalgia.

Please follow this link to read my review and see my photos posted on Elmore magazine’s website at:

http://www.elmoremagazine.com/2015/05/reviews/shows/the-doobie-brothers-feat-don-felder-and-matthew-curry

My review of the Bruce and Kelly Show posted to Elmore magazine

11 May

Elmore Magazine | Bruce Robison & Kelly WillisBruce Robison and Kelly Willis sang nostalgically from their combined hit song catalogs at what seemed more like a backyard neighborhood barbecue than a music festival on April 18.

Rainstorms abated in the early afternoon during the Old Settlers’ Music Festival in Driftwood on a grassy hillside in front of the Bluebonnet Stage, as festival goers sipped locally brewed beer and ate barbecue prepared by the famous Salt Lick restaurant.

The couple’s harmonies on “This Will Be Our Year,” just like the sunshine, briefly removed a lingering misty chill in the air. The crowd politely hushed, leaving an eerie silence that was broken only by birds calling from nearby 100-year-old oak trees when Robison sang his 1996 original song, “Travelin’ Soldier.” The tragic teenage romance tale topped charts in 2003 when the Dixie Chicks released it as a single off their Home album. Willis seduced the crowd further by singing Robison’s “Not Forgotten You,” off her 1999 album What I Deserve.

Their Cactus Cowboys band included Geoff Queen on pedal steel and electric guitar, John “Lunchmeat” Ludwick on upright bass and Joey Shuffield on drums. The Robison-Willis married duo, together with their musicians, gave a memorable performance in an outdoor space where time seemed to slowly drift by like the breeze.

This slideshow requires JavaScript.

Also please see my article and photos of Bruce and Kelly posted on Elmore magazine’s website at:

http://www.elmoremagazine.com/2015/05/reviews/shows/bruce-robison-kelly-willis

 

My Weldon Henson CD review posted to Elmore magazine

11 May

Elmore Magazine | Weldon Henson – Honky Tonk FrontierAs Weldon Henson goes to show, anyone who has spent years performing in Texas dance halls knows a thing or two about country.

Since 2009, the country singer/songwriter has played a weekly gig at the Broken Spoke called “Two-Stepping Tuesdays,” a night he considers to be Austin’s own version of Dancing with the Stars.

He also often performs for crowds at Jenny’s Little Longhorn Saloon, Luckenbach and Coupland dancehalls.

His new album, Honky Tonk Frontier, offers ten of his original songs. Danceable songs like “I Need Wine” and “Just Believe,” effortlessly turn unique phrases for dancers with foot-tapping beats. Henson adds his edge to “Hey Bottle of Whiskey,” previously recorded by Don Singleton.

Henson joined the U.S. Air Force when he was 19 and taught himself to play guitar. Later, he earned his musical stripes as an enlisted soldier performing at private parties and officer’s clubs stationed in Utah, South Korea, and finally Abilene.

A hybrid of Dwight Yoakam and George Strait, Henson produced his fourth full-length album together with Tommy Detamore and Ricky Davis. His wife, Brooklyn Henson, also adds background vocals as slick as a honky tonk dance floor.

This slideshow requires JavaScript.

Please see my review posted to Elmore magazine by following this link:

http://www.elmoremagazine.com/2015/05/reviews/albums/weldon-henson-honky-tonk-frontier

%d bloggers like this: