Tag Archives: Jackson Browne

My Paul Thorn story posted to The Alternate Root magazine online

20 Jan

Paul Thorn 2

For Paul Thorn, the lyrics he wrote together with Billy Maddox for his 10th album, Too Blessed to Be Stressed, stem from deep personal life lessons, professional musical influences and growing up a preacher’s son in the Deep South.

He wrote songs like “Don’t Let Nobody Rob You of Your Joy,” for his record released last August while seeking personal happiness in his day-to-day life.

“You may have a circle of friends and some of those friends are hard to be around and some of them make you wonder why they are your friends. You keep hanging around them, but they’re poison,” he said.

“They don’t lift you up; every opportunity they get they try to put you down. It’s not healthy to hang around people like that. That’s why that song is important. It’s just the truth. Life is short; you only get to live one time and while you’re here you don’t let nobody steal your joy.”

The Tupelo, Mississippi artist has chosen to take the high road in the known music universe, one somewhat beset with negativity, to deliver authentic “feel-good lyrics.” His songs promise to uplift even the most downtrodden concertgoers or mp3 fans.

Thorn, who performs over 150 shows a year, last performed in concert at The Roost in North Austin Nov. 23. He next performs in Austin April 11 when appears as part of the “In the Round” program at The Paramount Theater with Ruthie Foster and Joe Ely. They call themselves the Southern Troubadours.

His career blossomed after performing along with some musical heavyweights on a tribute album to Jackson Browne, entitled Looking into You, released last April. Thorn said he always liked Browne’s music, but had never met him before recording the song, “Doctor My Eyes.” Other contributing artists included Don Henley, Bonnie Raitt, David Lindley, and Bob Schneider, to name just a few.

In September Thorn met Browne backstage before presenting his song at the Americana Music Honors & Awards at the Ryman Auditorium in Tennessee.

Thorn admits that growing up in the same hometown as the iconic Elvis Presley had a huge impact on him musically as a kid. Yet over the years his career expanded to include several genres that explore all types of angles in the human experience.

“There are all kinds of records for different times in life. There are sad songs on some records about pain and all that kind of stuff, but I just wanted to make a record that made people feel better when they listen to it,” he said.

His father still preaches in the Church of God of Prophecy in Tupelo. The church’s followers provide the gifts of faith healing, prophecy and speaking in foreign tongues.

The song “Get a Healing” feels reminiscent of an evangelical tent revival service in the Deep South, complete with plenty of rhythmic clapping and catchy song lyrics.

The lyrics “you’ve got to get you a healing from the bottom of your heart/get you a healing that’s the only place to start/forgive all the people who have ever brought you harm/get yourself a healing with lovin’ from now on…”

Thorns fans will likely form emotional attachments to his music and lyrics without the benefit of any Pentecostal worship service.

“That song I think does heal somebody when they hear it,” he said.

“That’s what I believe. When I sing that song live I’ve noticed that the crowd really sinks their teeth into it. They’re all out there and they all want to be healed of something; everybody’s ailing from something. They want to feel better whether it’s physically or emotionally. Everybody needs to get fixed. That’s what that song’s talkin’ about.”

Paul’s parents married when his mother, Earlene, was just 15 and his father, Wayne, was 17.

“It was a different time back then,” Thorn said. “They’ll put you in jail for that now.”

His parents for most of their lives have lived in a parsonage on church grounds. Thorn, born in 1964, has older twin sisters, Charlotte Kay and Deborah Faye.

“We were never rich, but we were never poor,” he said. “We never went without anything. We always had what we needed.”

As Paul recalls, the family lived a religious life — 24/seven. Somehow he never felt a burden growing up in a house surrounded by women while his father often sacrificed hours every day to parishioners.

When he advises fans to “Get You a Healing,” for both their bodies and their souls, he prescribes one simple rule with the lyrics “just let your lovin’ show.”

Though Thorn does not ascribe to any single dogma or religious theology; his spiritual message comes through loud and clear nonetheless.

On one of the songs on the album, “Old Stray Dogs & Jesus,” Thorn identifies with one of the lowest denominators in society. The song tells the story about a drug addict who finally seeks help and rehabilitation after his life bottoms out.

“That’s what makes it a positive song. I’m not perfect by any means. I’ve never been a drug addict, but I’ve known a lot of people who have been. I sort of combined stories to make that song,” he said.

“I surely don’t believe that when somebody’s in the clutches of addiction that they can quit by themselves. It’s really rare that they quit by themselves. The test really comes when they surrender and go to rehab. Those are the only ones that I’ve ever seen get better.”

   The song’s lyrics “Why’s everybody judging me when the good book says judge not/old stray dogs and Jesus are all the friends I’ve got/I’ve never felt so lonely, I’ve never felt so blue/my world keeps getting smaller, it’s down to a chosen few” channels the thoughts of someone less fortunate.

“You can surrender to whatever you want to, but I chose Jesus because that’s the culture that I grew up in,” he said.

“I don’t think anybody knows for sure who God is because every culture just kind of provides their own design of what God is and they all believe they have it right. There’s nothing wrong with that. As humans we are really kind of arrogant to think that because it’s a big ‘ol world with a lot of people in it. None of us know too much.”

On stage, Thorn often expresses humility through words that soon sound and feel infectious.

“I pray to a higher power, but I don’t get up and proclaim to know what that higher power is,” he said.

Though he admits that his songwriting has been at times divinely inspired, he has borrowed professional insights from some fairly impressive musical peers.

A turning point in Thorn’s songwriting career followed his first cover performance of the 1981 hit song, “Don’t Let me Down Again,” written by Lindsey Buckingham, for Fleetwood Mack’s Live album. That’s when Thorn discovered the importance of creating “hooks” in songs.

“I like songs that you can hear the first time and remember them. That’s what a hook is – it hooks you and it keeps you singin’ along,” he said.

     “I like to make my hooks be things that are helpful to people – things that can give them a little courage to move forward, like the title track ‘Too Blessed to be Stressed.’ We all need to realize that because if you weigh out your life in the balance, there’s probably more good than bad in it, though sometimes we dwell on the negative.”

He combines country and rhythm and blues in a seemingly new genre that speaks volumes of truth and self-awareness through the song, “I Backslide on Friday.” The “backslider” term represents for Christians someone who practices being good, but who lapses into bad habits for a brief period of time.

“One thing we humans consistently do is procrastinate. Whether it’s a new year’s resolution to quit eatin’ a honey bun late at night, or whether it’s a resolution to quit cheatin’ on your wife, or to quit drinkin’. Whatever we struggle with, we all seem to have a hard time followin’ through with our plans,” he said.

“I think every human does it.”

The song “Everything’s Gonna Be Alright” mesmerizes with the familiar and soothing words of promise as they transport the listener visually to a new ethereal place — on the back of a dragonfly.

Thorn also took a long hard look at consumerism and it’s impact on people when he wrote the song “Mediocrity is King.”

Mediocrity is “not good for you, but it’s easy, it doesn’t require much effort and it doesn’t require much expense,” he said.

He said the business world caters to the weakest link in the human population — a community of passive listeners, viewers and readers.

Thorn shares those views with his friend and filmmaker Mike Judge, who wrote and directed the 2005 movie, Idiocracy, staring Luke Wilson and Maya Rudolph. Wilson plays the part of a man of average intelligence who after being transported 500 years into the future becomes the smartest human being on Earth.

Judge, of late, has been developing the hit HBO television series, Silicon Valley. Season two premieres April 10.

However, even Thorn admits to liking disco, though he doesn’t write in that genre.

He began writing the song, “This is a Real Goodbye,” after listening to Gloria Gaynor’s song, “I Will Survive.” Gaynor’s double platinum song released in 1978, but has since become an anthem for society’s underdogs.

   “I always liked that song because it’s a song about being strong after a breakup and moving forward after your former relationship, so I wanted to write something that had the same sentiment,” he said.

   “I made up a shuffle song that talks about finding happiness once someone’s gone. A lot of people have poisoned relationships. They may love them, but they’re getting treated like dirt. After a while you need to get enough of that and move on start fresh.”

The song, “What Kind of Roof do you Live Under?” makes listeners think about the relationships they share with the people with whom they choose to live.

“I know married people who are living their house together for one reason and that’s because their kids are still there,” he said.

“Instead of looking at your neighbors and pointin’ at them, we all need to examine our own lives and ask ourselves about the relationships going on inside the dwelling.”

The song, “No Place I’d Rather Be,” focuses on Thorn’s domestic life that he shares with his wife, Heather, and daughters Kit, 21, and Bella, 10.

“I enjoy my work, but nothing can compete with the enjoyment of being home,” he said. “Leaving them is a heavy price that I unfortunately have to pay.”

Meanwhile, bookings through June keep him far from home; recently Thorn entertained fans on the Sandy Beaches Cruise until Jan. 17.

Please see my story posted to the website for The Alternate Root at: http://thealternateroot.com/index.php?option=com_content&view=article&id=2961:pt-dmm&catid=208:what-s-trending&Itemid=268

To order Paul Thorn’s music on his official website at: http://www.paulthorn.com

 

 

 

Christine Albert’s story posts in The Alternate Root Oct. 25, 2014

14 Oct

Christine AlbertChristine Albert’s serene expression masks a life torn by personal violence and loss. Her spiritual calm on stage seems to transcend memories of surviving rape and also being struck down by a drunk driver along a dark stretch of Texas highway.

The original songs on her first solo album in 20 years, Everything’s Beautiful Now, express messages of hope and renewal.

As a result, her Austin audience attending the CD release party at the Strange Brew Sept. 25 felt lifted up and transported to an ethereal space created without walls or religious dogma.

Albert wrote or co-wrote six of the songs on the new album. Like her “Flower of the Moon” song co-written with her husband, Chris Gage, Albert illuminates the darkest moments in life as a time for growth and for transformation.

     “I believe in the holiness of whatever comes my way/and I’ve learned not to resist the urge to pray…”

“Moon flowers blossom at night. I was going through a period where I was not sleeping well. I had a lot of insomnia and I finally connected it with my own delayed post-traumatic stress disorder,” she said in a recent interview.

Though she prefers that listeners find whatever message speaks to them inside her song lyrics, her personal story enhances them.

Albert band and friends

Albert survived a rape by an intruder in her Santa Fe, New Mexico home in the middle of the night in 1981. She moved to Austin less than a year later.

In 1986, she survived being hit by a car along a highway outside San Antonio while the person standing immediately beside her died instantly.

“My truck had broken down along the highway in San Antonio and a couple of really nice 17-year-old kids stopped to help me. They were best friends, two boys. While we were standing there, a drunk driver going 75 miles an hour and swerving from one lane to another swerved right into us,” she said.

“I was thrown across the highway and the person I was talking to was killed instantly. The other young man was injured, but survived.”

Today Albert forms the other half of a personal and professional musical partnership known as Albert & Gage that in 2009 released the album, Dakota Lullaby, with songs written 35 years ago by South Dakota singer/songwriter Tom Peterson. The 61-year-old Peterson is writing again and Albert included two new songs, “On That Beautiful Day,” and “My Heart’s Prayer,” for her current album.

Her new CD release represents a musical communion with Albert’s, Gage’s and Peterson’s creative muses along with a couple of famous friends and her son, Troupe Gammage.

Gammage joins his mom to sing on the Shake Russell and Dana Cooper song, “Lean My Way,” in a harmonious mother and son duet best explained by common DNA.

Troupe, a keyboardist and singer/songwriter in his own right as a member of the band, SPEAK, will open shows on tour for the popular Indie band, RAC, over the next several weeks and he will also be part of the RAC show as their featured vocalist. He is the son of Ernie Gammage, Albert’s first husband and also a local singer and musician who formerly fronted the band Ernie Sky and the K-Tels.

Her son also sings background vocals on Albert’s version of the Jackson Browne song, “For A Dancer,” along with other SPEAK band members, Nick Hurt and Joey Delahoussaye.

Both songs imbibe a spirit of wisdom shared from one person to another. However, all the songs on the album feel purposefully chosen by Albert.

Local legendary singers and songwriters Jerry Jeff Walker and Eliza Gilkyson joined Albert on “Old New Mexico,” a song she co-wrote with Walker that tells the story of her move from Santa Fe to Austin in 1982. Gilkyson adds her voice to the track appropriately as the two became close friends more than 40 years ago in New Mexico and moved to Austin about the same time.

At 59 years old, Albert has found her spiritual voice. The album’s theme also remarkably exemplifies a mission statement for the nonprofit organization she founded, Swan Songs. The group fulfills musical last wishes for individuals at the end of life.

Albert also chairs the Board of Trustees for the National Academy of Recording Arts and Sciences (NARAS) that recognizes musicians for excellence at the famous GRAMMY awards annually. The Recording Academy, headquartered in Santa Monica, California since 1957, has 12 chapters located all over the country including Texas.

The Recording Academy pays Albert’s expenses for traveling back and forth to L.A. but the job is a volunteer position and demands sacrifice from her since it takes away time spent performing and shared with her husband and son. Her two-year term of office ends next May.

The year 2005 represents a hallmark year for Albert. That’s the year she reinvented herself both by founding Swan Song and by running for a position on the Recording Academy’s Texas Chapter board, which ultimately led to her national leadership position.

Those two decisions followed a traumatic year in 2004 when Gage underwent back surgery and could not work for a while. She and Gage together also own MoonHouse Studio in South Austin and much of their work is interrelated. While her husband recovered from surgery, Albert carried the financial burden as neither of them owned disability insurance.

The Austin community rallied to create a benefit; MusiCares also helped the couple during the first month of Gage’s recovery from back surgery.

“That experience changed me. I was so moved by what our community and MusiCares did for us and I wanted to give back and make sure that support continued for other musicians,” she said.

Albert and close friend Gaea Logan had informally begun organizing concerts for terminally ill patients in the early 1990s. By 2005 Albert was inspired to formalize the program. She chose the name, filed the paperwork, and it became an official 501c3. Today Swan Songs offers each musician an honorarium to perform private concerts to fulfill the wishes of a recipient. In this way, the organization supports the music community as well as the patients and their families.

Either one of her non-paying roles could suffice as a full-time job.

“I never get up in the morning and say ‘I wonder what I should do today.’ I always have long lists of things that I can’t put off,” she said.

“When they’ve been put on the back burner long enough and finally make it to the front, I say ‘Today’s the day for this.’”

Albert wrote the lyrics for the title track off the album, “Everything’s Beautiful Now,” after caring for Gage’s mom, Darleen Gage, during her final stages of Alzheimer’s disease. The couple moved Darleen from her home in South Dakota to a facility in Buda in 2010. Then at age 87 she died in June of 2012.

Albert first heard the lyrics for her song, “Everything’s Beautiful Now,” in some of the last words Darleen spoke before she slowly slipped away.

“She said ‘I’m ready but I don’t think I can say anymore goodbyes.’ I think that was the thing that was holding her back. Then she said ‘I’ve had to say goodbye to so many people in my life, I just don’t know if I can face saying the goodbye part,’” Albert said. “I was really struck by that.”

The song’s lyrics represent a combination of both Albert’s and her mother-in-law’s perceptions and life and death and grieving.

Albert has said goodbye to several people in her life over the past five years including her dear friend and fellow musician, the late Sarah Elizabeth Campbell. The two performed together every Monday known as “Mystery Mondays” at El Mercado South in Austin for a year before Campbell’s death in December of 2013.

The song’s lyrics represent a combination of both Albert’s and her mother-in-law’s perceptions about life and death and grieving.

“When we started “Mystery Mondays” we didn’t know Sarah was going to be so sick and that we were going to lose her. Then we didn’t know about Steven Fromholz, Larry Monroe, and countless other friends we lost. Every time we went to that gig, we were mourning someone else from the Austin music community,” she said.

“It became a lot more than just a gig; it became a gathering place for our community to be together and to express musically what we were going through. It still is. In the last few weeks we’ve lost even more good friends.”

At weekly shows at El Mercado South, fans seem deeply connected to the musicians on stage, as the room remains uncommonly silent throughout the performances.

Before 2013 Campbell also sang Monday nights at Artz Rib House and before that at La Zona Rosa. Some of Austin’s finest musical citizens including Jimmie Dale Gilmore, Marcia Ball and Toni Price have graced the El Mercado South stage in recent years, reminiscent of the days they performed Wednesdays at Threadgill’s North from the 1970s through the 1990s.

When musicians gather for “Mystery Monday” at El Mercado South, their kinship extends beyond each singular performance. Unscripted and unpretentious, band members baptize listeners in a wash of emotions.

Another tune on her album, Warren Zevon’s song, “Keep Me in Your Heart,” provides a sad goodbye. She never had the chance to meet Zevon before the rock singer/songwriter died in 2003, but she fell in love with his lyrics.

Albert discovered Zevon’s song through their mutual friend and a vocalist with the Greezy Wheels band, Lissa Hattersley, who posted the lyrics on her Facebook page in a gesture of condolence following the death of Albert’s father.

Hattersley also recorded her 2009 solo album How I Spent My Summer Vacation in Albert and Gage’s recording studio and Chris co-produced it.

Another song, “Little One,” Albert wrote about a female friend before the lyrics slowly evolved into a dialogue with her son, Troupe, and later a mantra she had often spoken to herself.

“’Little One’ refers to anyone who is in an embryonic stage of waking up to the world, especially a spiritual world; anyone who needs to find their direction, their strength, and their clarity again,” Albert said.

   “Wake up Little One/feel the warmth of the rising sun/wake up Little One to the one who you can become…”

Albert said she practices Buddhist mindfulness and meditation techniques, but she does not ascribe to any specific religion.

Meditative practices led her to the song, “At Times Like These,” which Albert initially wrote in 2009 for her sister Linda who lost both her husband and a grandson within a few months.

Another song, “Someday Isle,” Albert wrote with Kira Small, a former Austin singer and songwriter, who now lives in Nashville and performs studio session work and sings harmony on Martina McBride’s newest album, Everlasting.

“When Kira and I started writing it, we were inspired by the common phrase, ‘Someday I’ll do this,’ and ‘Someday I’ll do that.’ When we realized by saying that, you’re always keeping yourself at a distance from what you want to do or from what your dreams are and there’s an isolation to it,” she said.

“So we used the play on words, ‘Someday Isle.’ It’s that place ‘over there’ when we say ‘I’ll do it — later.’”

Albert experienced some of the darkest times of her life all within a span of five years from 1981 until 1986. In 1995, she met the love of her life, Chris Gage, after seeing him perform with Gilmore on stage at Bass Concert Hall as part of “The Broken Spoke Concert Series,” offered by the University of Texas at Austin’ Performing Arts Center. The couple later married on May 10, 2003.

She recorded her last solo singer/songwriter album Underneath the Lone Texas Sky in 1995 although she continued releasing the bilingual French/English TexaFrance series as well as six Albert and Gage collaborations. Everything’s Beautiful is her 12th release.

“This album had more of a theme for me. When choosing the songs, there was something about it that was almost spiritual – what I was trying to say, why I was recording it, and the process was so personal,” she said.

“I wanted to hold these songs in a little sacred space for myself and to help others find that through the music.”

Albert hopes the album “makes a statement” as a whole and is interested in performing the songs live in churches and other places of worship.

“I think these songs fit in a more contemplative thoughtful environment and they could be helpful to people in that regard,” she said.

“It’s also a way to spread the word about Swan Songs’ mission. I didn’t consciously set out to do that, but this album really does express what Swan Songs’ mission is all about.”

Please see this story posted on The Alternate Root magazine at: http://thealternateroot.com/index.php?option=com_content&view=article&id=2756:christinea-ebn&catid=208:what-s-trending&Itemid=268

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