Fans braved record-breaking rains to see Emmylou Harris and Rodney Crowellinside the lobby of the YO Ranch Hotel & Conference Center. The duo had moved indoors and to higher ground after Turtle Creek broke its banks earlier in the evening, threatening Kerrville Folk Festival’s outdoor theater.
The legendary singer/songwriters performed inside the historic hotel’s cowboy-themed lobby in front of a cozy limestone fireplace framed by two 10-foot wrought iron candelabras and five hanging chandeliers crafted from authentic cattle brands.
The duo sang songs from their 2013 Yellow Moon album and recent CD, The Travelin’ Kind. “La Danse de la Joie,” written by Harris, Crowell and Will Jennings, added a playful Cajun and upbeat zydeco sound to the evening.
The two, friends for 40 years, sat in repurposed dining room chairs, amid mounted exotic wild animal heads on the walls and an impromptu audience of rain-soaked fans, mostly 55 and older.
Harris sang a beautiful interpretation of “Love Hurts,” a huge hit for the Everly Brothers in 1960. Harris and Crowell together sang the night’s highlight, “Leaving Louisiana in the Broad Daylight,” from her 1978 Quarter Moonin a Ten-Cent Town album. Never did a bad storm feel so right.
Folk Uke, Hector Ward and Guy Forsyth’s band, delivered an eclectic mix of folk, blues, reggae, funk, and bluegrass music in a six-hour show Jan. 17 at Saxon Pub in Austin.
Folk Uke, (the “e” is silent) formed by Amy Nelson and Cathy Guthrie, the daughters of iconic fathers, Willie Nelson and Arlo Guthrie, perform satirical and somewhat sensational music. Angelic voices often contradict edgy and authentic song lyrics from their self-titled release in 2005 and Reincarnation in 2011. Amy sings lead vocals and plays acoustic guitar while Cathy harmonizes and accompanies on ukulele. Favorites were “Sh*t makes the Flowers Grow,” “Knock Me Up,” and “Mother F***er.”
Hector Ward, delighted fans with a reggae-infused “Simplify,” “Whiskey Pants,” and “Taking Lightening Home,” about blues singer Sam John “Lightnin’” Hopkins. Ward fronts the Big Time band, a nine-piece Latin funk group complete with a horn section. Members included: Mark Wilson, baritone saxophone and flute player; drummer and co-songwriter Mike McGurk; and lead and rhythm guitarist Rain Cross, the son of Grammy award winning songwriter Christopher Cross. Others included cornet player Micah Shalom, trombone player, Ben Taylor, and bass player Kai Roach. Ward sang songs he co-wrote with Phil Roach: “Azucar,” “Freightline Funk,” “Nuevo Laredo” “Time Will Tell,” and “Vibro.” Newcomers included: tenor saxophone player Jennifer Nailos and percussionist David Farris. The band’s two albums include: Freightline Funk released in 2009 and Sum of All in 2011. Ward also sang the single, “Heart Full of Soul,” off the All ATX 2014: British Invasion compilation CD. An American-Cuban, Ward grew up in the little town of Damon, southwest of Houston playing football in high school and then in college at Midwestern State University and Texas State University before suffering partial paralysis in a one-car accident just outside of Houston at 19 years old.
Guy Forsyth has an unmistakable onstage energy that has fueled 25 years of touring internationally while recording 14 albums. He performed a multitude of instruments including a “singing saw,” or modified farming tool used with a violin bow to create a hauntingly instrumental version of “Over the Rainbow.” He first worked as a street musician, later as a studio session player, and then as a comic stunt man at Renaissance fairs Kansas City, MO before moving to Austin in 1990. Band members included: drummer Nina Botta, and her husband, bassist Jeff Botta, who also played on Forsyth’s 2012 The Freedom to Fail album, on the Blue Corn Music label; guitarist George Rarey, who also performs on The Pleaser, Forsyth’s new blues album to be released this April on the Lizard Disc label. The best songs of the night included “Sink ‘em Low (the Holler),” which the band sang acapella amid hand clapping and foot stomping. He also sang, “She’s Crazy Now,” an as yet unrecorded love song that features a unique third person protagonist. Lizard Discs first released his debut solo album High Temperature, CD in Hengelo, Netherlands in 1993 establishing Forsyth throughout Europe. He signed with Antone’s Records to release three more albums: Steak, Needlegun and Can You Live Without before Texas Music Group bought it and declared bankruptcy in 2010. Forsyth released Voices Inside in 2002 on his independent Small and Nimble Records followed by Love Songs For and Against in 2005, Unrepentant Schizophrenic Americana, a double live album in 2006, Calico Girl in 2008, Live at Gruene Hall in 2009 and the DVD, 300 Miles from There to Here in 2011.
Country singer, songwriter, actor, recording artist and producer Jimmie Dale Gilmore, plans to reunite with the other original band members from Americana roots band, The Flatlanders, including Butch Hancock and Joe Ely.
The Flatlanders will present a special concert at 8 p.m. Sept. 20 at the Paramount Theater in Austin.
It’s been nearly 40 years since Gilmore, Hancock and Ely, began jamming with Steve Wesson who played Autoharp and musical saw, Tony Pearson on mandolin and bassist Syl Rice, to become The Flatlanders.
In 1972 the band made their musical debut at the Kerrville Folk Festival and won the New Folk Singer/Songwriter Competition. That same year, the Armadillo Beer Garden opened in Austin and The Flatlanders performed during its entire first week.
“There were six of us originally in the Flatlanders, but only three of us continued with musical careers,” Gilmore said.
In 1974, Hancock and Ely began their solo careers before Gilmore participated in a spiritual group that was learning the art of meditation from Prem Rawat at his headquarters in Denver.
“I actually first became connected with one of his disciples in Austin. Then I went and lived in New Orleans for a short while before I went to Denver. I went to Denver because there was a large community of people who were studying with him (Rawat) there,” he said.
“It (Denver) was the place to study and practice meditation with that group. Early in my music career I had studied Eastern Philosophy. I first became interested in it in the ‘60s and from there, that was the spiritual journey that led me to Denver.”
He left that community in 1980 and returned to Austin. For a long time, he performed often at the Broken Spoke with his band. Success came to Gilmore slowly. He also had a steady gig every Wednesday night at Threadgill’s on South Lamar.
“That’s where I got to know a lot of Austin musicians,” Gilmore said. “I did it every week and we had different people sit in to play. Just like we did last night; it was a very similar thing. We had a big following. So that’s why this thing at El Mercado is nostalgic.”
Throughout the 1990s, the original members of The Flatlanders remained the best of friends in Austin, but they seldom performed together.
Ely enjoyed success in his solo career while Hancock and Gilmore toured together as a duet. Separately, Gilmore and Hancock also headlined their own bands.
“There’s this intertwining of many people; there’s so much history. I’ve been playing for such a long time and I’ve done a lot of different things,” Gilmore said.
From January through April of this year, Gilmore teamed up most Monday nights to perform with Christine Albert and David Carroll at El Mercado South in Austin for weekly nostalgic and musical trips down memory lane.
Newcomers luckily stumbled upon the unofficial Austin venue during the South-by-Southwest Music, Film and Interactive Festival, (SXSW) March 7-16.
However, members of the three-piece combo had performed acoustic folk music and familiar ballads every week for a year and a half, billed as “Mystery Monday.” The name stems from their tradition of inviting surprise musical guests to sit in on stage.
The show during SXSW didn’t disappoint patrons, either new nor regular, while they munched tostada chips dipped in spicy homemade-style salsa, ate their fill of Mexican combination plates, and drank foreign ale fermented south of the border or top shelf margaritas.
Albert and Carroll regularly perform only two sets on stage every week. Occasionally, guitarist/harmonica player and singer/songwriter Butch Hancock hosts the show with guest appearances that change week-to-week.
“We had a good thing there every week,” Gilmore said. “It’s been really great – consistently amazing.”
March 10, the mystery guests included Austin’s acoustic and electric mandolinist/composer Paul Glasse and legendary rockabilly guitarist Bill Kirchen, aka: “the Titan of the Telecaster.” Kirchen served as a member of the musical outlaw group, Commander Cody and the Lost Planet Airmen from 1967 through the 1970s.
Albert closes her show with a moving rendition of the Southern Gospel song, “I’ll Fly Away,” written in 1929 by Albert E. Brumley. She sings it as a tribute to friend and former band mate, the late Austin guitarist, singer and songwriter, Sarah Elizabeth Campbell.
The duo performed it at their final show together last December just before cancer took Campbell’s life.
Gilmore and his wife, Janet, used to show up regularly at El Mercado South as fans of the Albert and Campbell show. Often Gilmore sat in to play a few tunes with the two who have been his good friends for years.
In January, Albert asked Gilmore to join her on stage once a week, to keep the show going at El Mercado South. Their combined circle of friends remained otherwise unbroken and has intertwined with multiple members of local bands.
Albert used to sing in Gilmore’s band in the 1980s with her husband, Chris Gage, and both toured with him. Later, Albert and Gage also produced albums of their own.
Gilmore has enjoyed at least two musical careers – one as a member of The Flatlanders in the early 1970s and another as a headliner act from the 1990s through the 2000s.
The Amarillo native grew up in Lubbock and attended Texas Tech University for a short time. Gilmore has known Hancock since they both attended Atkins Junior High and Monterrey High School together in Lubbock.
In 1964 Gilmore met guitarist and singer/songwriter Joe Ely who also was born in Amarillo and they share musical connections that cemented their life-long bond.
“Buddy Holly’s father, L.O., financed a demo recording (tape) for me and so I put a band together. The place we hung out and practiced at, was owned by Tommy Nickel and so was band came to be called the ‘T. Nickel House Band.’ We hung out at T. Nickel’s house, so as a joke we called it that. It sounded like a nightclub or something,” Gilmore said. “Some people thought the name was a drug reference, but it wasn’t.”
That band never did become famous. The T Nickel House Band included: guitarists Gilmore, Ely, John X. Reed, and Jesse “Guitar” Taylor, as well as drummer T.J. McFarland.
“John X. Reed and I came to Austin together,” Gilmore said. “We didn’t move here, but we visited and played in town. The very first place John and I ever played together in Austin was at Threadgill’s.”
Gilmore also played in Angela Strehli’s band, Sunnyland Special, in the late 1960s long before her name became associated with Marcia Ball, Lou Ann Barton, Sue Foley and Stevie Ray Vaughan. Strehli’s Sunnyland Special included Gilmore, Lewis Cowdrey, Taylor and McFarland.
Opening night Aug. 7, 1970, Gilmore performed with his band, The Hub City Movers, at the Armadillo World Headquarters, once located at 525 and 1/2 Barton Springs Road. His band had been the last house band to perform during that same summer at The Vulcan Gas Company, then located at 316 Congress Avenue.
“I was involved in folk music, with folk musicians and rock musicians, and also blues musicians and country musicians. I was connected with so many different groups of people,” Gilmore said.
Ely and Gilmore have stayed connected throughout the years since meeting in Lubbock.
“We were actually fans of each other; we used to go hear each other play,” Gilmore said. “We met playing at little dives and coffee houses and boot leg joints in Lubbock. Lubbock was dry, so any place that had any kind of night life was usually illegal.”
In Lubbock, Gilmore and Ely found a group of creative friends who shared similar interests.
“He’s (Ely) been one of the treasures of my life,” Gilmore said. “There were plenty of other Bohemian, creative people from Lubbock who kind of banded together in that period.”
Gilmore and his friends shared common interests including philosophy.
“For me, philosophy and spirituality have always intermingled. That’s always been part of my deep interests. I was never ever what you might call ‘religious.’”
Fans in the audience at El Mercado South span years of Gilmore’s, Hancock’s and Albert’s careers.
“There are so many good friends in my background. The really wonderful thing about this ‘Mystery Monday’ gig is I’ve been able to play with a lot of people that I used to play with regularly. It’s a reunion kind of thing – really beautiful.”
In the break between the band’s two song sets, two of Gilmore’s friends, a San Francisco-based and country folk duo, known as Wildwood, performed. The duo consists of Desiree Wattis, a Virginia coal miner’s granddaughter, and Avery Hellman, the grand-daughter of the late Warren Hellman, founder of the famous Hardly Strictly Blue Grass Festival of San Francisco — a festival that drew 650,000 people last year.
“Warren Hellman and I actually made a record together, but that’s a whole and completely different story in itself,” Gilmore said. “It was a totally unexpected thing that happened. We had become personal friends ten years ago in the course of the Hardly Strictly Bluegrass Festival. We shared a love of bluegrass and old-time music.”
Gilmore joined Hellman’s seven-piece old-time music group that called themselves The Wronglers and recorded a 2011 album, “Heirloom Music.” They toured one season all over the country, fulfilling one of Hellman’s life-long dreams during the last year of his life.
As part of the show March 10, Gilmore performed one of the songs that The Wronglers used to play, a country standard made famous by the Carter Family, “I’m Thinking Tonight of My Blue Eyes.”
Heidi Clare, the original vocalist/fiddle player for the Wrongler’s. She acted as tour manager for Wildwood all during SXSW and at El Mercado South that Monday night during the girls’ performance.
“I’ve become acquainted with the whole (Hellman) family and we had done a couple of songs together at Hardly Strictly Bluegrass Festivals, so that’s how I invited them to the show that night,” Gilmore said.
Ray Benson and Asleep at the Wheel also scheduled the Wildwood girls to open their show at the Rattle Inn March 11.
For three months ever Monday night, several threads of Gilmore’s past often came together at El Mercado South to connect him to multiple people all in one place at the same time.
Glasse performed on the first album Gilmore ever recorded as a solo artist, “Fair and Square,” released in 1988. A number of local musicians performed on that album produced by Ely and released by High Tone Records. Gilmore enjoyed success with the album’s hit single, “White Freight Liner Blues.”
Gage toured with Gilmore nationwide beginning in 1993 and continuing throughout the mid-1990s.
In 1991 Gilmore released “After Awhile” on Nonesuch Records, produced by Stephen Bruton, who had played guitar with Kris Kristofferson and then Bonnie Raitt. Kristofferson recently released Bruton’s “The Road To Austin,” 73-minute documentary, that screened during the SXSW Film Festival March 10. Bruton died in 2009. Gilmore does not appear in Bruton’s documentary because the late musician and filmmaker scheduled filming the same day that Gilmore attended his son Colin’s wedding.
Emory Gordy, Elvis’ former bass player produced Gilmore’s hit solo album, Spinning Around the Sun, in 1993. Three years later, Gilmore recorded Braver Newer World, released on the Elektra label and produced by legendary Grammy winner, T Bone Burnett. Gilmore has been nominated three times for Grammys, but has never won.
“During that time, I got lots and lots of publicity,” Gilmore said. “I also did lots of touring. That was the time in my career that I was the most visible.”
In 2000, Gilmore released One Endless Night on the Rounder Records label and returned to High Tone Records to release Don’t Look for a Heartache in 2004. He released Come On Back on Rounder Records in 2005.
Gilmore also appeared as a bit actor in films: The Thing Called Love in 1993 and The Big Lebowski in 1996. He has also appeared on late night television shows hosted by Jay Leno and David Letterman as well as Garrison Keillor’s A Prairie Home Companion. His song “Brave New World” graces the film soundtrack for 1995’s Kicking and Screaming.
He enjoyed his regular weekly gig at El Mercado South that ended in April. Now occasionally he will sit in with the band on stage as part of “Mystery Mondays.”
“It’s different every week. We do a lot of the same songs every week, because they’re the songs that we know, but the sound is different because we have different instrumentation,” Gilmore said. “David (Carroll) contacts the people to play with us and he has a lot of friends and really good taste.”
Along with their son, Colin, Gilmore and his wife Janet, have two daughters, Elyse Yates and Amanda Garber. Her husband, Scott Garber, sometimes plays bass with Gilmore. The Gilmores also have several grandchildren who he refers to as “the most important part of our lives.”
“I’ve enjoyed two basically different personas – one under my name and one under The Flatlanders, but I’ve done a lot of different things with both of those,” Gilmore said.
“I never have really thought much of career and that kind of stuff. I just do what I like for however long it lasts.”
Fans braved record-breaking rains to see Emmylou Harris and Rodney Crowell inside the lobby of the YO Ranch Hotel & Conference Center. The duo had moved indoors and to higher ground after Turtle Creek broke its banks earlier in the evening, threatening Kerrville Folk Festival’s outdoor theater.
Donna Marie Miller 
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