Tag Archives: live country music

My review of the 2017 Ameripolitan Awards posts to Elmore

22 Feb

Lance Lipinsky, nearly stole the show before accepting the Rockabilly Male Award at the fourth annual Ameripolitan Awards, held February 15th at Austin’s Paramount Theater. Lipinsky had costarred in the Tony Award-winning musical, Million Dollar Quartet, and at the Grand Ole Opry. His band, The Lovers, released their debut album, Roll, last summer.

Jerry Lee Lewis’ prerecorded message from Nesbit, Mississippi appeared overhead on screen as Silvia and Brett Neal accepted the Master Award on his behalf. The Neals and singer/songwriter Dale Watson cofounded the Ameripolitan Awards in 2014 to honor artists who represent four roots branches of country music: western swing, honky-tonk, rockabilly and outlaw styles. Between set changes, Watson and Asleep at the Wheel’s front man, Ray Benson, served as the night’s emcees, providing impromptu commercials for two of the show sponsors, Lone Star Beer and Tito’s Vodka. Presenters Rosie Flores and James Intveld also provided an outstanding duet performance. Other music awards went to Leona Williams, Jake Penrod, Gary P. Nunn and the Bunkhouse Band, Lara Hope, The Silver Shakers, Kristyn Harris, Pokey LaFarge, The Western Flyers, Darci Carlson, Hank3, the Dallas Moore Band, Chris Casello and James Riley.

American original singer/songwriter and musician Junior Brown received the Keeper of the Key Award. Brown’s unique song lyrics and hook phrases, such as “My Wife Thinks You’re Dead,” previously earned him a 1996 Country Music Association Award. Brown performed while playing his “guit-steel,” a double-necked invention that melds both guitar and steel guitar attributes. Lil’ Red’s Longhorn Saloon in Fort Worth received the Venue Award and the Festival Award went to Nashville Boogie. Absent from the night’s proceedings due to the flu was presenter James White, proprietor of the Broken Spoke. The house band included: Chris Crepps, bass; Mike Bernal, drums; Don Pawlak, pedal steel guitar; Jason Roberts, fiddle; Redd Volkaert, guitar; Joey Colarusso, saxophone; Rick White, trumpet; Ken Mills, trombone; and Danny Levin, piano. For more information about the awards and a full list of winners, head to the Ameripolitan Music Awards’ website at: http://www.ameripolitan.com/2017-winners.html

Please also see my article as it appears with my photos on Elmore magazine’s website at: http://www.elmoremagazine.com/2017/02/reviews/shows/2017-ameripolitan-music-awards

My book launch party April 22, 2017

10 Feb

Texas A&M Un3rdcoverrevisionmiller_jkt5-2iversity Press and I launched my book, The Broken Spoke: Austin’s Legendary Honky-Tonk, Saturday April 22 at the Broken Spoke, 3201 South Lamar Blvd.  Book signings were provided by James and Annetta White and myself.

Ben Rogers played for tips in the dining room from 6 to 8 p.m. Terri White offered dance lessons in the dance hall at 8 p.m. for $8 per person. Afterwards, Alvin Crow and the Pleasant Valley Boys performed in the dance hall  for an additional $12 per person cover charge. 

Order books at: http://www.tamupress.com/product/Broken-Spoke,8735.aspx

 

My review of Dolly Parton’s concert posted to Elmore

13 Dec

Dolly Parton – Elmore MagazineOn December 6th, Dolly Parton shared a special wish and a night of many colors with fans for more than three hours inside Austin’s sold out Frank Erwin Center, one of the last legs on her nationwide Pure & Simple tour. “Wouldn’t it be great if we could bottle up all the love and excitement in this room tonight and give everybody in the world a little bit of it?” Parton asked. The singer, songwriter, multi-instrumental musician, actress and business leader stepped out onto the stage dressed in white, sparkling in rhinestones and sequins beneath spotlights. Between songs, Parton delivered intimate stories about her childhood growing up one of 12 siblings in the Great Smokey Mountains of Appalachia, Tennessee. She made self-depreciating jokes and demonstrated an uncanny comedic ability to speak as fast as a Chipmunk at 78-RPM speed.

Alternating between playing guitar, banjo, dulcimer, piano, soprano saxophone and flute, Parton sang most of her top 10 hit songs from the more than 3,000 she has written, and either she or others have performed, over the past 50 years. Following a 20 minute intermission, Parton sang tunes off 1987’s Trio and 1999’s Trio II, albums released in a box set last September, featuring her collaborative recordings with Linda Ronstadt and Emmylou Harris. Best of all, Parton invited audience participation during a medley of songs from the 1960s and ’70s: “American Pie,” “If I Had a Hammer” and “Dust in the Wind.” Her band and backup vocalists included pianist Richard Dennison, bassist Tom Rutledge and multi-instrumentalist Kent Wells– performers whose working friendships with Parton span 30 years. In the music business, that kind of longevity speaks volumes about the authenticity of the woman behind her 70-years-young voice.

Also please see my concert review posted to Elmore magazine’s website at:

http://www.elmoremagazine.com/2016/12/reviews/shows/dolly-parton

My Weldon Henson CD review posted to Elmore magazine

11 May

Elmore Magazine | Weldon Henson – Honky Tonk FrontierAs Weldon Henson goes to show, anyone who has spent years performing in Texas dance halls knows a thing or two about country.

Since 2009, the country singer/songwriter has played a weekly gig at the Broken Spoke called “Two-Stepping Tuesdays,” a night he considers to be Austin’s own version of Dancing with the Stars.

He also often performs for crowds at Jenny’s Little Longhorn Saloon, Luckenbach and Coupland dancehalls.

His new album, Honky Tonk Frontier, offers ten of his original songs. Danceable songs like “I Need Wine” and “Just Believe,” effortlessly turn unique phrases for dancers with foot-tapping beats. Henson adds his edge to “Hey Bottle of Whiskey,” previously recorded by Don Singleton.

Henson joined the U.S. Air Force when he was 19 and taught himself to play guitar. Later, he earned his musical stripes as an enlisted soldier performing at private parties and officer’s clubs stationed in Utah, South Korea, and finally Abilene.

A hybrid of Dwight Yoakam and George Strait, Henson produced his fourth full-length album together with Tommy Detamore and Ricky Davis. His wife, Brooklyn Henson, also adds background vocals as slick as a honky tonk dance floor.

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Please see my review posted to Elmore magazine by following this link:

http://www.elmoremagazine.com/2015/05/reviews/albums/weldon-henson-honky-tonk-frontier

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